高速云m3u8
高速云
高树零剧情
1943年2月,残酷的斯大林格勒战役呈现出胶着态势。在慕尼黑,地下反战组织白玫瑰的成员们正在加紧印发传单,其中索菲(Julia Jentsch 饰)与汉斯姐弟两人为响应不久前女学生们的行动,计划将传单散发到大学校园内,两人冒着极大风险进入学校,在散发完毕时不幸被捕。盖世太保摩尔负责审讯索菲,姐弟俩按照事先商定的串词,拒绝承认自己与反战传单有关,并几乎可以无罪释放,但纳粹的搜查发现了新的线索,形势急转直下,索菲开始将罪责揽到自己身上以掩护同伴们,经过反复的交锋,摩尔开始对这位坚定的女青年产生了些许理解和同情,但等待索菲的,终究是一场封闭的不公平审判……本片根据真实故事改编,获2005年柏林电影节最佳导演奖等多项褒奖。©豆瓣
高树零相关视频
高树零相关问答

评Sophie Scholl: The Final Days

“Sophie Scholl” is a well made, well acted, but too liberally fictionalized depiction of the last days of one of the members of “White Rose,” who protested against the Nazi regime in Munich in 1943. Selective use of archival materials from the GDR has made for an account consisting of details correct in themselves, but leaving a rather misleading overall impression. The interrogation of Sophie displaces the rest of the story. It’s “White Rose” meets “Darkness at Noon.” This film seems to be the culmination of the persistent efforts of surviving members of the Scholl family—no anti-Nazis themselves—to build up the mystique of Sophie and Hans at the expense of the other members of “White Rose,” and to portray them as more Christian and less bohemian than they actually were. This film represents steps in the wrong direction from Michael Verhoeven’s 1982 counterpart, “The White Rose.” Although not as cinematic, that film’s period look and feel were more authentic than the present film. It told much more of the story. For some reason, at its climax the present film heavily downplays the gruesomeness and squalor of execution by guillotine in Nazi Germany. Germans can point to banefully few Nazi-era examples of valor like that of the members of “White Rose.” Somehow, this fevered attempt to reinvent Sophie Scholl as a preternaturally heroic, latter-day Joan of Arc does not seem particularly helpful. She was flesh and blood like the rest of us.



求德国二战反思片

《桥》,不是南斯拉夫那部,讲得是德国少年兵。